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The writer paints a hugely charged portrait of this ubiquitous "savant", denouncing his militancy, hypocrisy, elitism and vanity. This arguable and impassioned assault through a fellow French student is greater than a gauntlet thrown, it really is David taking a shot at Goliath
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Extra info for Deconstructing Pierre Bourdieu: Against Sociological Terrorism from the Left
93 With Distinction (1979), Bourdieu announced a project with broad ambitions: to analyze relations between taste and the conditions of existence (social class), to produce a picture (a table) of lifestyles that would lead to a social criticism of judgment. I will not digress here on that book; two chapters (III and IV) discuss it in order to demonstrate and criticize in particular the sociologist’s relationship to the material (which, moreover, was extremely heteroclite) on which he says he has built his analysis.
In the ownership of the means of appropriating the cultural goods. . ” Bourdieu recognized that, perhaps, certain people might find that he had expended an enormous effort to state something that was already obvious. But he made a point of saying, or of hammering home, rather, that the sanctification of art served “a vital function”: it contributes to consecrating the social order. “For the men of culture to believe in barbarity and to persuade their barbarians within their own barbarism, it is necessary and it is sufficient that they manage to dissimulate themselves and dissimulate the social conditions that make possible not only culture as second nature.
In 1992, Bourdieu published The Rules of Art, which proclaimed an ambitious plan: to found a science of cultural production. ”96 Or, if you prefer, the modus operandi is more important than the opus operatum. The results, here, are extremely difficult to < 52 > Pierre Bourdieu or A Con-Artist’s Sociology grasp; and so is the process. e. ” His hefty volume combines “the invention of the artist’s life” (published almost twenty years earlier), elements from the constitution of the literary field in the 19th century, considerations on Sartre, the total intellectual, on a Faulkner novel, on the Quattrocento; he says that in this way he is giving us the logic of the field of cultural production (try to apply that.
Deconstructing Pierre Bourdieu: Against Sociological Terrorism from the Left by Jeannine Verdes-Leroux