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ISBN-10: 0823230309

ISBN-13: 9780823230303

Harry Berger, Jr., has lengthy been one among our so much respected and revered literary and cultural critics. because the past due nineties, a circulate of outstanding and cutting edge guides have proven how very wide his pursuits are, relocating from Shakespeare to baroque portray, to Plato, to theories of early culture.In this quantity a unique staff of students gathers to have a good time the paintings of Harry Berger, Jr. To celebrate,in Berger's phrases, is to go to anything both in nice numbers in any other case frequently-to leave and are available again, depart and are available again, leave and are available again. Celebrating is what you do the second one or 3rd time round, yet no longer the 1st. To have a good time is to revisit. To revisit is to revise. get together is the eureka of revision.Not merely former scholars yet distinct colleagues and students come jointly in those pages to find Berger's eurekas-to revisit the rigor and originality of his feedback, and infrequently to revise its conclusions, throughout the enjoyment of strenuous engagement. Nineteen essays on Berger's Shakespeare, his Spenser, his Plato, and his Rembrandt, on his theories of interpretation and cultural swap and at the ethos of his serious and pedagogical kinds, open new methods to the miraculous ongoing physique of labor authored via Berger. An creation via the editors and an afterword by way of Berger himself position this pageant of interpretation within the context of Berger's highbrow improvement and the reception of his paintings from the mid-twentieth century into the 1st decade of the twenty-first.

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Extra info for A Touch More Rare: Harry Berger, Jr., and the Arts of Interpretation

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The work is enthusiastic but plainspoken—the work of a ‘‘dry light’’; it is deeply skeptical but never cynical, relentlessly ironic yet always with a sense of the charity of irony. Its confidence goes along with an immense sense of play and readiness to be questioned. The criticism is pragmatic in its local attentions to particular works, scenes, and characters, yet driven by preoccupations whose sources are often mysterious. ’’ I’ve in fact always wished he’d take time to write on Kafka, but then I’d also like to read Harry Berger on Dante, Cervantes, Mary Shelley, and Lewis Carroll.

And what does he ask of us? Hey, Harry: Boo! 17407$ $CH2 07-07-09 10:47:11 PS PAGE 30 chapter 3 Complicity and Catharsis: The Immature Criticism of Harry Berger Susanne L. Wofford In participating in this volume, I am reminded of a translation problem that presents itself in reading Rabelais, who often refers to Pantagruel walking about Paris being accompanied by ‘‘ses gens’’—his people. Pantagruel goes everywhere with ‘‘his people,’’ who are not exactly family but definitely include his household, and not servants only but also followers and friends.

24 But disappearing acts are funny things. Who is the Joker sitting in the front row? What is it he looks at or listens to? And what does he ask of us? Hey, Harry: Boo! 17407$ $CH2 07-07-09 10:47:11 PS PAGE 30 chapter 3 Complicity and Catharsis: The Immature Criticism of Harry Berger Susanne L. Wofford In participating in this volume, I am reminded of a translation problem that presents itself in reading Rabelais, who often refers to Pantagruel walking about Paris being accompanied by ‘‘ses gens’’—his people.

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